It's still too soon to make up my mind about Ms. Kagan, but if this is really all they've got against her, then I'm not sure why they're even bothering.1.) Titillating David Brooks- no boring career oriented types need apply. Try to squeeze in some college era hijinks to liven up that vita- maybe a possession bust as an undergrad, some racy Facebook pictures, or a term paper supportive of Mao.
3.) Paul Campos would like a dissertation on the history of curriculum theory (no slouching and skipping out on the role of hermeneutics and critical theory), a treatise on best pedagogical practices, a complete review of the collected works of John Dewey, and a positive evaluation from every lazy student you may have ever had.
4.) Andrew Sullivan would like proof one way or another of your sexual orientation. I suppose pictures will do, but the apparent gold standards are the assurances of Jeffrey Toobin and Eliot Spitzer.
10.) Lynn Sweet would like a decent batting stance. And no, I’m not kidding. According to recent debates, proof of a good baseball stance could also serve as verification of your sexual status, as required by Sullivan in point number four.
Thursday, May 13, 2010
I simply must join Erik Kain in pointing you to this masterful roundup of the state of Elena Kagan criticism. It's quite simply hilarious. My favorites:
The Man, The Myth, The Bio
- Lev
- East Bay, California, United States
- Problem: I have lots of opinions on politics and culture that I need to vent. If I do not do this I will wind up muttering to myself, and that's only like one or two steps away from being a hobo. Solution: I write two blogs. A political blog that has some evident sympathies (pro-Obama, mostly liberal though I dissent on some issues, like guns and trade) and a culture blog that does, well, cultural essays in a more long-form manner. My particular thing is taking overrated things (movies, mostly, but other things too) down a peg and putting underrated things up a peg. I'm sort of the court of last resort, and I tend to focus on more obscure cultural phenomena.